Hotelsinus Sound Design is László Zizics (aka Fanta) and Gergely Erdélyi (aka Liftmanproductions) based in Budapest, Hungary.

Starting off in the mid 1990’s as two DIY enthusiasts in sound, images, and everything inbetween, hssd.hu is today an online, home-based, yet professional sound production studio, with a commitment to sincerity, integrity, and the determination to go as far as needed to reach the level we want. We walk not the extra mile, but the extra dozen if we feel we must.

What we do: game music and sound design. music composition for games, films, video and more. foley and field recording. music mastering. video post production audio. sound effect creation. radio or internet brand jingle composition. and anything else you can come up with.

Some lines we move along:

– No warez policy.
– Aspiration to use less software and more hardware. Outboard gear is what makes real things real.
– Creativity that sometimes equals daring to do the most stupid things.

– Zizics ‘Fanta’ László – Founder, Music Composer, Sound Designer, Foley Artist
– Erdélyi ‘Greg’ Gergely – Music Composer, additional Sound Designer, Audio Transcription – Liftman Production

Services:

  • Sound Design
  • Music Composing
  • Game Audio implementation
  • Complete FMOD Designer Project building
  • Special Sound Effects / Weaopns , Explosion, Destuctions
  • Sound Animations and Interactive Music
  • Foley and Field Recording
  • Custom Vehicle Sound Synthesis / Re-resynthesize
  • ENG
  • 5.1 and 2.0 Foley
  • Dialogue Editing
  • Audio pre and Post production
  • Audio Restoration / Hanganyag Restaurálás
  • Audio Transcription / Hangfelvétel átírás, lehallgatás
  • Music Mixdown and Mastering / Audio Keverés és Masterelés
  • Game Audio Middleware: Fmod, Unreal Editor, Havok Vision
  • Software: Sony Soundforge, Sony Vegas, Logic Audio, Renoise, Steinberg Cubase and Nuendo, SVN, Image-Line Fruity Loops, Jeskola Buzz
  • Native Instrument Absynth, Native Instrument Kontakt, Kong Audio Essential, Universal Audio plugins.

Studio Gears:

– REBIS AUDIO System (1980 Analog modular sound processor)
– ART CS2 Compressor Limiter
– DBX 266
– PHONIC microLimiter compressor
– TASCAM PE-40 Parametric Analog Equalizer (1992-94)
– TASCAM GE-20B Graphic Analog Equalizer (1992-94)
– TECHNICS ProSeries SH9010 Stereo Parametric Analoge Equalizer (1979)
– FOSTEX M-280 Multitrack Analoge Recorder/Mixer
– FOSTEX 2016 Line Mixer
– VESTAX RVD900 Digital Reverb
– SONY TC WE475 Stereo Cassette Deck Recorder
– Novation Drum Station
– Novation Bass Station (2set)
– Novation A Station
– MAM FAT FB383
– E-MU Command Station
– E-mu 1820 Souncdard
– 2 Universal Audio DSP card
– Cambridge Soundwork 2.1
– Cambridge Soundwork 5.1
– E-MU PM5 Precision Monitor
– Tascam DAP1 – portable DAT recorder
– Zoom H4 – portable recorder
– Tascam DR40
– SHURE FP32 A portable field mixer
– Sennheiser K6P ME66 Shotgun mic
– Audio Technica AT4071a Broadcast shotgun mic
– Rode NTG2
– Rode M3
– AKG D3700 (Original from ~1992)
– AKG D900E Vintage Shotgun mic
– SCHERTLER UNIVERSAL SENSOR – BASIK